The Chesapeake Bay region is an astounding place, boasting more miles of shoreline than the entire West Coast. It’s home to a thriving community of water-loving creative spirits and one of America’s oldest capital cities—beautiful Annapolis. With 100 Things to Do in Annapolis and the Eastern Shore Before You Die as your guide, locals and visitors alike will unlock the many treasures this region has to offer. Go back in time on remote and disappearing Smith Island, whose residents trace their lineage to the 1600s. Run in the world’s shortest foot race: a heart-calming 0.5K. Sample the fare at a haunted tavern once frequented by Ben Franklin. And no visit to the region would be complete without a bushel of blue crabs, served the Eastern Shore way. Author and reporter Susan Moynihan’s own childhood sailing on the Bay helped her turn her love for her hometown into this insider’s look at the region. Whether you’re coming to tour the Naval Academy, wander Colonial-era streets, or get out on the water, you’ll be amazed by the diversity awaiting you in Annapolis and Maryland’s Eastern Shore. With this indispensable guide, you’ll never run out of new things to do “by the Bay.”

As unique as the city it describes, Annapolis, City on the Severn builds on the most recent scholarship and offers readers a fascinating portrait into the past of this great city.

What really goes on behind the wall that surrounds the United States Naval Academy in Annapolis? What are all those midshipmen, future officers in the U.S. Naval and Marine Corps and leaders of our society, thinking as they stand in neat ranks at the parades beloved by tourists? What are their professors actually educating them to do. In Annapolis Autumn, Bruce Fleming, professor of English for nearly two decades at the academy and a prizewinning author, captures the sights, sounds, colors, and conversations of this tradition-steeped institution. In other classes, the cadets learn how to assemble guns, control armored vehicles, man battleships, and kill other human beings. Nothing is ever less than "outstanding, sir!" In English class, however, Fleming introduces his students to nuance and subtext, to the gay poets of World War I, and to the idea that not every piece of literature is designed to be "motivational." Sharing stories from his twenty years at the academy, Fleming explores questions about teaching, the labels "liberal" and "conservative," and the ultimate purpose of higher education—issues made all the more gripping at a time when many of his students will graduate from the classroom to the battlefield.