Download or Read eBook Empathic Vision PDF written by Jill Bennett and published by Stanford University Press. This book was released on 2005 with total page 212 pages. Available in PDF, EPUB and Kindle.
This book analyzes contemporary visual art produced in the context of conflict and trauma from a range of countries, including Colombia, Northern Ireland, South Africa, and Australia. It focuses on what makes visual language unique, arguing that the "affective" quality of art contributes to a new understanding of the experience of trauma and loss. By extending the concept of empathy, it also demonstrates how we might, through art, make connections with people in different parts of the world whose experiences differ from our own. The book makes a distinct contribution to trauma studies, which has tended to concentrate on literary forms of expression. It also offers a sophisticated theoretical analysis of the operations of art, drawing on philosophers such as Gilles Deleuze, but setting this within a postcolonial framework. Empathic Vision will appeal to anyone interested in the role of culture in post-September 11 global politics.
"The Empath's Path: Journey to Self-Discovery" is a captivating exploration of the empathic world, designed to empower and guide individuals on their empathic journey. If you have ever felt the weight of the world on your shoulders or experienced waves of others' emotions crashing into you, you may carry the remarkable blessing and power of being an empath. This comprehensive guide, authored by a leading expert in empathic understanding, Judy Dyer, gently navigates new empaths through their transformative journey. It offers profound insights, practical solutions, and gentle strategies to help empaths embrace their gift fully and channel their hypersensitivity into something beautiful. Unravel the mysteries of empathy and understand the potentials of your energy and abilities. Find solace in coping with spiritual hypersensitivity and discover spiritual healing tools that aid in releasing negative energies leading to insomnia, exhaustion, and adrenal fatigue. Gain tools for protecting your energy and creating a sanctuary for rejuvenation and recharge. "The Empath's Path" extends beyond personal development. It explores the power of empathy in relationships, offering guidance on maintaining balance in personal connections, parenting with empathy, and navigating empathic dynamics in romantic relationships. Embrace empathy as a catalyst for social change and community building. Learn to utilize empathy in addressing global challenges, environmental issues, and social justice matters. Empower yourself as an empathic leader and visionary, and inspire others to contribute positively to the collective empathic consciousness. This book takes you on a journey of self-discovery, encouraging introspection, emotional healing, and personal growth. It reveals the potential of empathy as a tool for mindfulness, meditation, and spiritual awakening, deepening your connection with higher consciousness. "The Empath's Path" also explores the fascinating intersection of empathy and science, delving into the neuroscience behind empathy and its impact on the mind-body connection. It showcases how empathy thrives in education, the arts, technology, and healthcare, revolutionizing these fields with its transformative power. Throughout this enlightening journey, readers will be captivated by the poetic and emotional tone of the author's writing. Judy Dyer weaves a compelling narrative that engages the heart and mind, guiding readers on a path of personal growth, healing, and empowerment. If you seek to embrace your empathic gift, enrich your relationships, and make a positive impact on the world, "The Empath's Path: Journey to Self-Discovery" is the ultimate guide that will empower you to embark on a transformative and fulfilling empathic journey.
Download or Read eBook War Crimes, Atrocity and Justice PDF written by Michael J. Shapiro and published by John Wiley & Sons. This book was released on 2014-12-08 with total page 240 pages. Available in PDF, EPUB and Kindle.
Book Synopsis War Crimes, Atrocity and Justice by : Michael J. Shapiro
What do we know about war crimes and justice? What are thediscursive practices through which the dominant images of warcrimes, atrocity and justice are understood? In this wide ranging text, Michael J. Shapiro contrasts thejustice-related imagery of the war crimes trial (for example thesolitary, headphone-wearing defendant at the Hague listening withintent to a catalogue of charges) with ?literary justice?:representations in literature, film, and biographical testimony,raising questions about atrocities and justice that juridicalproceedings exclude. By engaging with the ambiguities exposed by the artistic andexperiential genres, reading them alongside policy and archivaldocumentation and critical theoretical discourses, Shapiro?s WarCrimes, Atrocity, and Justice challenges traditional notions of?responsibility? in juridical settings. His comparative readingsinstead encourage a focus on the conditions of possibility for warcrimes as they arise from the actions of states, non-state agenciesand individuals involved in arms trading, peace keeping, sextrafficking, and law enforcement and adjudication. Theory springs to life as Shapiro draws on examples from legaldiscourse, literature, media, film, and television, to build anuanced picture of politics and the problem of justice. It will beof great interest to students of film and media, literature,cultural studies, contemporary philosophy and political science
Download or Read eBook Visions and Revisions PDF written by Bryoni Trezise and published by Museum Tusculanum Press. This book was released on 2014-02-28 with total page 236 pages. Available in PDF, EPUB and Kindle.
Book Synopsis Visions and Revisions by : Bryoni Trezise
In 1983 US president Ronald Reagan told the Israeli Prime Minister that he, as a photographer during World War II, had documented the atrocities of the concentration camps on film. The story was later exposed as a fraud as it was revealed that Reagan had resided in Hollywood during the entire war. Does this mean that Reagan was simply an amoral liar or that he established a connection to the Holocaust that can be said to have evolved from the intersection between “real” and “reel”?
Visions and Revisions. Performance, Memory, Trauma brings the fields of performance studies and trauma studies together in conversation in order to investigate how these two fields both “envision” and “revision” one another in relation to crucial themes such as trauma, testimony, witness, and spectatorship. According to Peggy Phelan, a leading performance studies scholar, performance provides a unique model for witnessing events that are both unbearably real and beyond reason’s ability to grasp – traumatic events like the Holocaust. While Reagan’s claim is obviously both paradoxical and problematic, it opens up a space in which the potential insights that performance studies and trauma studies might bring to one another become particularly visible.
The first half of the anthology focuses on issues of spectatorship, specifically its ethics and the possibility of witnessing. The second half widens the discussion to include memory more broadly, shifting the emphasis from sight to site, and particularly to site-specific works and the embodied encounters they model, enable and enact. The contributors here fill a critical gap, raising questions about how popular and mediatized performances that memoralize trauma might be viewed through performance theory. They also look at how performance studies might shift its focus from the visual to the sensorial and material and in doing so, they offer a fresh perspective on both performance and trauma studies.
Writing from different disciplinary vantages and drawing on multiple case studies from South Africa, the former Soviet Union, Lebanon and Thailand, among others, the contributors decolonize trauma studies and make us question, how and where our own eyes and bodies are positioned as we revision the scenes before us.
Contributors: Laurie Beth Clark/Helena Grehan/Geraldine Harris/ Chris Hudson/Petra Kuppers/Adrian Lahoud/Sam Spurr/Christine Stoddard/Bryoni Trezise/Maria Tumarkin/Caroline Wake.
Editors: Bryoni Trezise is a lecturer in theatre and performance studies at the University of New South Wales, where Caroline Wake is a Post-doctoral Fellow in the Centre for Modernism Studies in Australia.
Download or Read eBook Creative Resilience and COVID-19 PDF written by Irene Gammel and published by Routledge. This book was released on 2022-03-20 with total page 252 pages. Available in PDF, EPUB and Kindle.
Book Synopsis Creative Resilience and COVID-19 by : Irene Gammel
Creative Resilience and COVID-19 examines arts, culture, and everyday life as a way of navigating through and past COVID-19. Drawing together the voices of international experts and emerging scholars, this volume explores themes of creativity and resilience in relation to the crisis, trauma, cultural alterity, and social change wrought by the pandemic. The cultural, social, and political concerns that have arisen due to COVID-19 are inextricably intertwined with the ways the pandemic has been discussed, represented, and visualized in global media. The essays included in this volume are concerned with how artists, writers, and advocates uncover the hope, plasticity, and empowerment evident in periods of worldwide loss and struggle—factors which are critical to both overcoming the COVID-19 pandemic and fashioning the post-COVID-19 era. Elaborating on concepts of the everyday and the outbreak narrative, Creative Resilience and COVID-19 explores diverse themes including coping with the crisis through digital distractions, diary writing, and sounds; the unequal vulnerabilities of gender, ethnicity, and age; the role of visuality and creativity including comics and community theatre; and the hopeful vision for the future through urban placemaking, nighttime sociability, and cinema. The book fills an important scholarly gap, providing foundational knowledge from the frontlines of the COVID-19 pandemic through a consideration of the arts, humanities, and social sciences. In doing so, Creative Resilience and COVID-19 expands non-medical COVID-19 studies at the intersection of media and communication studies, cultural criticism, and the pandemic.
Download or Read eBook Making Things International 1 PDF written by Mark B. Salter and published by U of Minnesota Press. This book was released on 2015-05-01 with total page 575 pages. Available in PDF, EPUB and Kindle.
Book Synopsis Making Things International 1 by : Mark B. Salter
Building on recent debates in critical social theory and international relations, Making Things International I: Circuits and Motion presents twenty-five essays that engage the global, the local, and the international through the lens of objects. It represents the first substantial new materialist intervention in global politics and international relations, offering a diverse and provocative set of reflections on how different objects create, sustain, complicate, and trouble the international. Problematizing the stuff of global life, Making Things International focuses on contemporary materialist scholarship on the international realm. The first of two volumes, these original contributions by both new and established scholars examine how war, diplomacy, trade, communication, and mobile populations are made by things: weapons, vehicles, shipping containers, commodities, passports, and more. The authors demonstrate how mundane, everyday objects—not normally understood as international—are in fact deeply implicated in how we think of the world: blood, garbage, viruses, traffic lights, clocks, memes, and ships’ ballast. Contributors: Michele Acuto, U College London; Peter Adey, Royal Holloway U of London; Rune Saugmann Andersen, U of Helsinki; Jessica Auchter, U of Tennessee at Chattanooga; Mike Bourne, Queen’s U Belfast; Kathleen P. J. Brennan; Elizabeth Cobbett, U of East Anglia; Stefanie Fishel, Hobart and William Smith Colleges; Emily Gilbert, U of Toronto; Jairus Grove, U of Hawai‘i at Manoa; Charlie Hailey, U of Florida; John Law, Open U; Wen-yuan Lin, National Tsing-hua U; Oded Löwenheim, Hebrew U of Jerusalem; Chris Methmann; Benjamin J. Muller, U of Western Ontario; Can E. Mutlu, Bilkent U; Geneviève Piché; Joseph Pugliese, Macquarie U; Katherine Reese; Michael J. Shapiro, U of Hawai‘i at Manoa; Benjamin Stephan; Daniel Vanderlip; William Walters, Carleton U; Melissa Autumn White, U of British Columbia; Lauren Wilcox, U of Cambridge; Yvgeny Yanovsky.
Download or Read eBook The Korean War and Postmemory Generation PDF written by Dong-Yeon Koh and published by Routledge. This book was released on 2021-07-31 with total page 244 pages. Available in PDF, EPUB and Kindle.
Book Synopsis The Korean War and Postmemory Generation by : Dong-Yeon Koh
This pioneering volume navigates cultural memory of the Korean War through the lens of contemporary arts and film in South Korea for the last two decades. Cultural memory of the Korean War has been a subject of persistent controversy in the forging of South Korean postwar national and ideological identity. Applying the theoretical notion of “postmemory,” this book examines the increasingly diversified attitudes toward memories of the Korean War and Cold War from the late 1990s and onward, particularly in the demise of military dictatorships. Chapters consider efforts from younger generation artists and filmmakers to develop new ways of representing traumatic memories by refusing to confine themselves to the tragic experiences of survivors and victims. Extensively illustrated, this is one of the first volumes in English to provide an in-depth analysis of work oriented around such themes from 12 renowned and provocative South Korean artists and filmmakers. This includes documentary photographs, participatory public arts, independent women’s documentary films, and media installations. The Korean War and Postmemory Generation will appeal to students and scholars of film studies, contemporary art, and Korean history.
Book Synopsis SAGE Visual Methods by : Jason Hughes
In contemporary Western societies, the visual domain has come to assume a hitherto unprecedented cultural centrality. Daily life is replete with a potentially endless stream of images and other visual messages: from the electronic and paper-based billboards of the street, to the TV and Internet feeds of the home. The visual has become imbued with a symbolic potency, a signifying power that seemingly eclipses that of all other sensory data. The central aim of this four-volume collection is to explore key approaches to visual research methods and to consider some of the core principles, issues, debates and controversies surrounding the use of visual techniques in relation to three key enterprises: 1) documentation and representation; 2) interpretation and classification and 3) elicitation and collaboration. Volume One: Principles, Issues, Debates and Controversies in Visual Research serves as a theoretical backdrop to the field as a whole. It introduces core epistemological, ethical and methodological debates that effectively cut across the four volume collection as a whole. Volume Two: Documentation and Representation illustrates approaches to visual documentation and representation, from classical documentaries to contemporary, state of the art modes of visual anthropology and ethnography. Volume Three: Interpretation and Classification examines core debates surrounding and approaches to visual analysis. Volume Four: Elicitation and Collaboration explores participative approaches to visual inquiry.
Download or Read eBook Violence, Visual Culture, and the Black Male Body PDF written by Cassandra Jackson and published by Routledge. This book was released on 2011-04-13 with total page 153 pages. Available in PDF, EPUB and Kindle.
Book Synopsis Violence, Visual Culture, and the Black Male Body by : Cassandra Jackson
From early photographs of disfigured slaves to contemporary representations of bullet-riddled rappers, images of wounded black men have long permeated American culture. While scholars have fittingly focused on the ever-present figure of the hypermasculine black male, little consideration has been paid to the wounded black man as a persistent cultural figure. This book considers images of wounded black men on various stages, including early photography, contemporary art, hip hop, and new media. Focusing primarily on photographic images, Jackson explores the wound as a specular moment that mediates power relations between seers and the seen. Historically, the representation of wounded black men has privileged the viewer in service of white supremacist thought. At the same time, contemporary artists have deployed the figure to expose and disrupt this very power paradigm. Jackson suggests that the relationship between the viewer and the viewed is not so much static as fluid, and that wounds serve as intricate negotiations of power structures that cannot always be simplified into the condensed narratives of victims and victimizers. Overall, Jackson attempts to address both the ways in which the wound has been exploited to patrol and contain black masculinity, as well as the ways in which twentieth century artists have represented the wound to disrupt its oppressive implications
Download or Read eBook World Art and the Legacies of Colonial Violence PDF written by DanielJ. Rycroft and published by Routledge. This book was released on 2017-07-05 with total page 280 pages. Available in PDF, EPUB and Kindle.
Book Synopsis World Art and the Legacies of Colonial Violence by : DanielJ. Rycroft
How have imperialism and its after-effects impacted patterns of cultural exchange, artistic creativity and historical/curatorial interpretation? World Art and the Legacies of Colonial Violence - comprised of ten essays by an international roster of art historians, curators, and anthropologists - forges innovative approaches to post-colonial studies, Indigenous studies, critical heritage studies, and the new museology. This volume probes the degree to which global histories of conflict, coercion and occupation have shaped art historical approaches to intercultural knowledge and representation. These debates are relevant to contemporary artists and scholars of visual, material and museological culture in their attempts to negotiate imperial and colonial legacies. Confronting the aesthetics of Abolition, Fascism and Filipino independence, and re-thinking relationships between colonised and coloniser in Cameroon, North America and East Timor, the collection brings together new readings of Primitivism and Aboriginal art as well. It features discussions of touring exhibitions, popular media, modernist paintings and sculptures, historic photographs, human remains and art installations. In addition to the critical application of phenomenology in a fresh and contemporary manner, the volume?s ?world art? perspective nurtures the possibility that intercultural ethics are relevant to the study of art, power and modernity.